Really enjoyed this one, but it asks you to suspend a lot of disbelief, like a lot. Some minor spoilers. You need to think it's plausible that:
- A girl can raise herself on her own in a marsh in NC for decades with no family, no money, and purely living off the land.
- She never has a medical or dental emergency or gets into trouble (apart from getting lost once) in the marsh on her own for that entire time.
- She can teach herself to read, write and educate herself to a university level in biology with some secondhand textbooks and a few afternoon lessons from a friend her own age, while still having to survive on no income.
- She teaches herself to paint at a professional level, despite having no spare money for painting materials.
- She's very attractive despite said lack of dental hygiene, terrible nutrition, and living alone in a marsh for over a decade.
“Kya, ya be careful, hear. If anybody comes, don’t go in the house. They can get ya there. Run deep in the marsh, hide in the bushes. Always cover yo’ tracks; I learned ya how. And ya can hide from Pa, too.”
Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.
His dad had told him many times that the definition of a real man is one who cries without shame, reads poetry with his heart, feels opera in his soul, and does what’s necessary to defend a woman.
“It ain’t just that.” She spoke almost in a whisper. “I wadn’t aware that words could hold so much. I didn’t know a sentence could be so full.”
And I totally bawled my eyes out about the help and care from Jumpin and Mabel who were themselves in an incredibly precarious position as poor black folks in the south. Racism features prominently in their storyline.
She kept on buying gas and supplies from him but never accepted a handout from them again. And each time she came to his wharf, she saw her book propped up in the tiny window for all to see. As a father would have shown it.
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