Monday, January 27, 2014

Gone Girl by Gillian Flynn (4.5 stars)

Let me start by saying that you should just go read this, it's a great novel. Don't read any reviews, don't read the blurb on the back, don't read about the author's other work, just read it with no preconceptions as I did. Now, I'm going to assume you've read it so here come the SPOILERS.

Firstly, I hear a few people are complaining that the major plot twist was too obvious. Honestly, I think this shows poor appreciation for the art that Flynn put into the tone and style of Amy's diary entries. The Amy of the diary was so in love, so puppy-like, so obviously the victim. It never occurred to me, until the reveal, that she was a diabolical sociopath who took great joy in carefully planning the destruction of other people's lives for the slightest perceived infraction. How could it? I think those who picked this twist were spoiled in some way ("there's a huuuuuge twist"), or perhaps familiar with Flynn's writing style from other books. All cues for an unreliable narrator point to Nick, he openly admits lying on a number of occasions, but not what the lies are, making the reader distrust him. In comparison, Amy of the diary seems all the more trustworthy.

The reveal of Andie was masterfully played, and she instantly became my prime suspect. So needy, so incredibly into Nick, that making his pesky wife disappear would be completely plausible. But, I was wrong, and I was relishing the fact that I had completely no idea where this crazy story was going to go next. When I reached Part Two: Boy meets girl and the scope and cunning of Amy's intricate plan is revealed I found it extremely difficult to put the book down.

Once Amy is done telling us how amazingly clever she was, I found myself enjoying the novel less. We watch Amy make some very risky decisions with two down-and-out randoms she finds staying in the mountain cabins. Flynn tells us she's putting on another one of her personas, presumably to fit in, but even if this new persona is a risk-taker the behaviour still seems implausible. She watches news coverage about her own death with strangers, showing little regard for what being recognized will mean for her multi-year husband-destruction project. Inevitably this behaviour leads to crisis, which is good because it would have been pretty boring if she just won the game.

Unfortunately the next sequence with Desi, while interesting, had a number of holes:
  • She chooses the worst possible meeting place for someone on the run: a casino, where she is probably captured on dozens of cameras. While Amy isn't carrying an identifiable mobile phone, Desi almost certainly is, and so his movements could be investigated after his murder by looking at cell-phone-tower logs.
  • It is very likely that Desi had an alibi for the supposed kidnapping timeframe, but the police seem to never investigate this.
  • Pulling off a second perfect murder frame-job without the benefit of a year of pre-planning is exceedingly unlikely, especially when you are a prisoner, and also the number one suspect in the eyes of the police.
  • Desi's palatial lake house didn't clean and launder itself. It's likely there were some staff present, or involved peripherally, whose testimony could have weakened Amy's claimed timeline of events.
And the ending. It's almost universally hated, and I have to admit I was a hater at first. But it stuck in my mind, and after some reflection I've come around to respect. Nick makes what seems to be a bizarre choice, feeling trapped by his need to protect an unborn child from his psychotic wife, and a real fear of reprisal for leaving her. It seems unlikely that Amy could pull off another outlandish frame-job, but bad choices are completely consistent with Nick's character. As for Amy, she has finally found a way to manipulate a man into exactly what she wants. Thank god it isn't a hollywood ending where the baddies all get caught and go to jail.

I've focused mostly on plot here, but the writing is magnificent, I'll leave you with some of my favourite quotes:
Ironic people always dissolve when confronted with earnestness, it's their kryptonite.
...
There's something disturbing about recalling a warm memory and feeling utterly cold
...
But there's no app for a bourbon buzz on a warm day in a cool, dark bar. The world will always want a drink.
...
Sleep is like a cat: It only comes to you if you ignore it.
4.5 stars

Monday, January 20, 2014

People of the Book by Geraldine Brooks (4 stars)

This has been on my to-read list forever, I thoroughly enjoyed March, and Year of Wonders was also pretty good. Like Year Of Wonders the historical aspects of the novel are great: and we get to sample all sorts of different time periods following the history of the haggadah.
So why had an illuminator working in Spain, for a Jewish client, in the manner of a European Christian, have used an Iranian paintbrush?
Also, like Year Of Wonders, it suffered from over-dramatisation, in this case in Hannah's modern-day story. A fairly implausible love interest jumps into bed, a big family secret is revealed, and there is a serious car crash, all of which felt like flashy over-played distractions getting in the way of the great historical vignettes. Towards the end of the novel it descended into farce: Hannah is pressured into a completely implausible spy-style mission that involves smuggling items through an airport in a suitcase with a custom-built secret compartment, and then performing a Mission-Impossible-style museum heist. blech.

In comparison, the short stories of the haggadah are fantastic: moving, heart-breaking, and inspiring.
...I have spent many nights, lying awake here in this room, thinking that the haggadah came to Sarajevo for a reason. It was here to test us, to see if there were people who could see that what united us was more than what divided us. That to be a human being matters more than to be a Jew or a Muslim, Catholic or Orthodox.
4 stars.

Sunday, January 12, 2014

Dad Is Fat by Jim Gaffigan (4 stars)

Raising my two kids isn't even in the same ballpark as Jim Gaffigan's herculean task of raising five in a two-bedroom apartment in NYC, but I definitely still related to this book in many ways. It made me laugh out loud plenty of times, and I've found myself quoting bits of it to my wife days after finishing the book. If you're a dad, or going to be a dad, this is a great book to read. If you're not, it's probably good birth control. Here's some of my favourite quotes:
As a dad, you are Vice President. You are part of the Executive Branch of the family, but you are the partner with the weaker authority. In your children's eyes, you mostly fulfill a ceremonial role of attending pageants and ordering pizza.
...it wasn't just Jeannie and me; there was a midwife there, which means we believe in witchcraft. Actually, a midwife is a certified medical practitioner. She is not your "extra wife" and will not make you breakfast. I learned this the hard way.
Babies are the worst roommates. They're unemployed. They don't pay rent. The keep insane hours. Their hygiene is horrible. If you had a roommate that did any of the things babies do, you'd ask them to move out.
Nothing in my life has ever been as important as pushing the elevator button is to my three-year-old.
If you're a Jim Gaffigan fan you'll definitely already know some of the material. I watched one youtube video of his standup and recognised quite a few of the jokes. But in-between the jokes, the book is partly a love letter to his wife, and partly thoughtful reflection on parenthood but still in an irreverent style.
Failing and laughing at your own shortcomings are the hallmarks of a sane parent.
4 stars.

Sunday, January 5, 2014

The Martian Chronicles by Ray Bradbury (3 stars)

Another sci-fi classic. Except this is less sci-fi, and more social commentary in a series of loosely-linked vignettes that happen to occur on Mars. Some of my favourite moments:
  • The Earth Men must be the most unusual human-alien contact story I've ever read, where telepathic Martians frequently project hallucinations about being men from Earth, making it extraordinarily difficult for real men from Earth to be taken seriously.
  • The anti-censorship message in Usher II where having read Edgar Allen Poe would have saved various overzealous sensors from death in a recreated House of Usher was a darkly humorous criticism that obviously later grew with Bradbury into Fahrenheit 451.
  • In There Will Come Soft Rains I loved the idea of the automated house bravely plugging along after all of humanity has departed. It made me think of NEST Protect giving the smoke warnings, and brave little Roomba's trying to clean up ash even as the house burns down.
I found the idea that every single person on Mars would immediately pack up and depart for Earth after Earth had an entire continent and major cities obliterated by nuclear weapons just preposterous. Bradbury really wanted to show that greed, self-interest, and the worst parts of human nature eventually destroyed both planets, but he needed a better story for the Mars side.
"I was looking for Earthian logic, common sense, good government, peace and responsibility."
"All that up there?"
"No. I didn't find it. It's not there any more. Maybe it'll never be there again. Maybe we fooled ourselves that it was ever there."
Time and publishers have been unkind to this novel. I have two complaints about the kindle edition I read. First, the dates in the chapter headings have been advanced 30 years from the original. According to wikipedia this change occurred with publication of the 1997 edition, ostensibly so that the future was still in the future. I couldn't think of anything more pointless.

More sinister and worrying, the story "Way in the Middle of the Air" was replaced with another, according to Wikipedia because the original story was "less topical in 1997 than in 1950". The original story (which I found and read online) was about African-Americans freeing themselves from racism and servitude in 1950s USA by fleeing to Mars en masse to start again. Replacing it is whitewashing of the worst kind, and couldn't be more ironic in a novel with a strong anti-censorship message.

Definitely some nice ideas here, and an important piece of sci-fi history, but reading it today is more an exercise in understanding the origins of the genre than anything else.

3 stars.

Wednesday, January 1, 2014

Best of 2013 as read by G

A whole year of sci-fi! Last year China Miéville became one of my favourite authors, Hugh Howey finished the Wool saga strongly, and I dipped my toe into the world of Gene Wolfe, which I didn't exactly enjoy but the stories still seem to be haunting my brain almost a year later.

I read quite a few sci-fi classics last year, but many have aged very poorly and I didn't enjoy them, so I'm done with that and heading in an as-yet-undecided direction for 2014.

The best (5 stars): Special mentions (4.5 stars):