Leviathan Wakes by James S.A. Corey (4.5 stars)

An epic space opera meets detective story written by a pair of authors under the pen name "James S.A. Corey".  It's a bit like Firefly meets Takeshi Kovacs, but without the beautiful grit and lyrical writing of Richard K. Morgan.  In fact the writing itself isn't really remarkable at all, but the world building is great, the plot is interesting, and the main characters are fairly well defined and far from perfect.

It also has a special quality that makes it stand out from many other space operas that start strong: it doesn't dissolve into tedium or get trapped on a single planet after one book.  I've read the four books (not counting side stories) published so far, and Corey has maintained an impressive tempo, continued to expand the world scale, and solidly kept my interest across all of the books.  This is actually more impressive than just considering the merits of each individual novel, so I gave it an extra half star.

In this book the two main characters are well developed and face a great and meaningful moral conflict about the merits of releasing potentially destructive information, with Holden and Miller taking opposing views.  The other characters were fairly underdeveloped, but this improves as the series moves on.

The protomolecule is badass and takes some genuinely surprising turns, and generates at least a couple of "woah" moments for me.  The scenes on Eros and on the ship seen through Julie's eyes reminded me of Event Horizon a little, stepping into the horror genre.  I think this section would have been vastly improved without the "vomit zombies" which dropped me out of a feeling of suspense into farce.

The science in the sci-fi mostly takes a back seat.  He's fairly vague about the "Epstein drive" which made travel in the solar system practical, but there's one thing Corey is very particular about: gravity.
We're constantly reminded about the effects of acceleration and deceleration on humans inside ships, how spin influenced space station (or planetery colony) design, how hard it is to move around in low G, how much "belters" struggle in Earth-like gravity, how magnetic boots work during EVAs, and many many more things gravity-related besides.  I actually liked all this: it adds a hard science element back into a world that would otherwise need very little explanation because most technology is fairly near future (sans Epstein drive).

Strong start to a strong series.

4.5 stars.

Ancillary Sword by Anne Leckie (4 stars)

This is the second novel in a trilogy, and the first was spectacularly good.  At this point you're already familiar with the whole gender weirdness, the unique perspective of Breq, and the stage has been set for an epic civil war space opera.  Great, lets dig in and see what she comes up with for this one!

If I said that Anaander Mianaai barely features, the civil war doesn't get much play, and the theme is mostly social justice on a single station and associated planet, would you be surprised?  I certainly was.  It's still a good novel, and the switch from epic space opera to smaller focus reminded me of the Fire Upon The Deep to A Deepness in the Sky transition, but it isn't nearly as strong as Deepness.

Leckie gives us deep insight into the tensions between various population dynamics, and this will obviously be important in the following novel, but there wasn't much here to be really excited about.  Breq seeks out basically every oppressed minority group she can find and tries to liberate them with the authority that comes with the rank of Fleet Captain, and last name Mianaai, pissing off everyone in the wealthy establishment.  Her visit to the planet's surface was full of Apartheid overtones.

It's definitely an interesting read, and the climax with the Presger gun getting a workout is thrilling.  But space opera it is not, so I can see why some people were disappointed.  Of course it is worth reading to be ready for the next book.

4 stars.

Ancillary Justice by Ann Leckie (5 stars)

After about four different personal recommendations, and finding out it had won the Hugo, Nebula, British Science Fiction, Locus and Arthur C. Clarke Awards, I had to read this. They weren't wrong, it is a spectacular debut.

Leckie does an impressive job of giving us an inside perspective of a spaceship-sized Artificial Intelligence (AI), with many different ancillaries/corpse-soldiers that make up its physical presence. This AI is our narrator, which allows Leckie to perform an impressive first-person narration without the usual limitation of the narrator being only in a single location at any time. When I read "that accounted for almost half of my twenty bodies" I knew this book was going to be fascinating.

As if that wasn't novel enough, Leckie chooses to make things even more interesting by messing with the reader's interpretation of gender. She does this by having most of the dialogue occur in Radchaai which doesn't have gendered pronouns, and from the perspective of Breq, the AI, who finds it difficult to interpret gender queues for various races anyway. In Breq's defence, this is not unusual since for many of the races gender is fairly unimportant and certainly not obvious. The end result of this is that I basically think of almost everyone in the novel as female, and was occasionally jarred out of my perceptions when other characters dropped a 'he' into the dialogue. It's amazing how much of my ability to visualise a character is rooted in gender.

So I have basically no idea what anyone looks like. This isn't helped by Leckie's fixation on memorial pin jewellery and gloves above all other features. I hope there's eventually some interesting explanation about the history of the gloves, since she makes such a big deal of them.

The start of the novel was very strong, with plenty of intrigue planted. What is this being? Why is he/she diminished? Leckie switches between flashbacks and current day to fill in the back story. There's a small amount of confusion for the reader as pieces of the world are filled in, but it's masterfully done and with minimal exposition. Just how I like it.

Not much science is explained, but there are some interesting ruminations on AI, such as emotions being essential for efficient decision making:

Without feelings insignificant decisions become excruciating attempts to compare endless arrays of inconsequential things. It's just easier to handle those with emotions.

I thought it was also interesting that that author noted she had based the Radchaai somewhat on the roman empire, which explains a lot of the religious idol worship that is present throughout the book.

Overall this is an amazing space opera. It has a Hoth and a Degobah. It has armor implants, stealth weapons, intergalactic wars, and political intrigue. The early part of the novel felt a little like a western, Firefly even, with a robbery, a barely-though-out plan, and Breq's life hanging in the balance pretty much constantly.

All sci-fi fans should read it immediately.

5 stars.

Best of 2014 as read by G

Less sci-fi this year, and unfortunately a somewhat lacklustre set of books. I partly blame goodreads, which should know me fairly well after 220+ ratings, but it nonetheless kept recommending The Sunne in Splendour as basically the number one book I should read. That didn't work out well and it killed most of November and December. Goodreads also led me to Swan Song, which was closer to the mark but not great, so generous salt will be applied to future recommendations.

The best (5 stars):

• To Kill a Mockingbird by Harper Lee

Special mentions (4.5 stars):

• The Fault in Our Stars by John Green
• The Goldfinch by Donna Tartt
• Gone Girl by Gillian Flynn